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Wormiza 1000: High-Dose Antiparasitic Therapy for Human
by daisymiller1840＠gmail.com 13 Feb '26

13 Feb '26

Wormiza 1000 is a high-dose antiparasitic formulation designed to target and eliminate a wide range of intestinal parasites in humans. Each tablet contains 1000 mg of fenbendazole, a broad-spectrum anthelmintic compound from the benzimidazole class. It works by disrupting the parasites’ energy metabolism, effectively starving and killing them without harming the host. This potent dose is intended for short-term, targeted treatment of stubborn or heavy parasitic infections, including roundworms, hookworms, whipworms, and protozoa such as Giardia. Wormiza 1000 is particularly useful when rapid parasite clearance is required, or when lower doses have proven ineffective. Wormiza is taken orally, usually once daily for a specified number of days depending on the infection type. While generally well-tolerated, users may occasionally experience mild gastrointestinal symptoms such as nausea or bloating. It is crucial to use this medication under medical supervision, as high-dose antiparasitic therapy requires proper diagnosis, monitoring, and dosage control. Though originally developed for veterinary use, fenbendazole-based treatments like Wormiza 1000 are gaining attention in human health for their safety and effectiveness in off-label settings. Always consult a healthcare professional before beginning treatment to ensure safety and optimal results. Visit: https://www.specialitymedz.com/product/wormiza-1000-mg/

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Unlocking the Joy of Wordplay: A Guide to the Connections Game
by chocolatechrissie＠dollicons.com 11 Feb '26

11 Feb '26

One approachable example is Connections Game, a mood-friendly puzzle that challenges your pattern-recognition muscles without demanding perfect reflexes. If you’re curious about how to experience it, here’s a friendly guide to exploring the core ideas, how the gameplay feels, and a few practical tips to get more out of your sessions. For quick access, you can explore Connections Game here: Connections Game. https://connectionsgamefree.com Gameplay At its heart, Connections Game presents you with a grid of elements and aGoal: link items that share a common thread. The exact setup can vary—sometimes you’re drawing lines, other times you’re noting relationships between words, images, or symbols. The pace is gentle, allowing you to pause and reflect rather than racing a clock. This is one of the charms: you can take your time to observe the connections, test a few hypotheses, and backtrack without penalty. A typical round unfolds by examining the available items and mentally tracing possible commonalities. The satisfaction often comes from noticing a pattern you hadn’t considered: a shared category, a similar color family, a common use, or a literary reference. As you discover valid links, you’ll feel that quiet sense of “aha.” If you hit a snag, many implementations offer hints or a reveal that nudges you toward the right path without spoiling the entire puzzle. What makes the experience approachable is that there’s no single right method. You can start with something obvious and then refine your approach, or you can deliberately test out less likely connections to see how the grid responds. The game’s design rewards curiosity and careful reading of the items rather than rapid guessing, making it friendly for solo play or a low-pressure practice session with friends. Tips Read items closely: Sometimes a simple wording difference hints at the link. Don’t rush to guess—take a moment to absorb each item’s nuance. Look for multiple angles: A set might share a broad category (animals, fruits) and also a subtler tie (color, origin). If one path fails, try another angle. Use process of elimination: If several items don’t fit a potential theme, you can narrow the field by focusing on the ones that clearly align with a known pattern. Pause and reflect: If you’re stuck, step away for a minute or two. A fresh perspective often reveals a connection you overlooked. Explore with others: Discussing items aloud with a friend can surface associations you hadn’t considered. Pairing up can turn a puzzle into a light, collaborative moment. Experience and mood Connections Game shines in its ability to be both meditative and social. The pace invites contemplation during quiet evenings or a relaxing break at work. It’s not about accumulating points or chasing perfection; it’s about enjoying the process of noticing relationships and letting clues unfold at their own rhythm. The visuals tend toward clarity and calm, which helps keep the focus on pattern-finding rather than flashy distractions. Conclusion If you’re seeking a thoughtful, low-pressure puzzle experience, give Connections Game a try. Its blend of gentle challenge, open-ended exploration, and friendly pacing makes it suitable for solo play or casual hangouts with friends. Remember to savor small breakthroughs and enjoy the moment of realization as you map out connections. For easy access, you can start here: Connections Game.

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Why More Businesses Are Investing in Premium Business Cards
by yousufaliii.2025＠gmail.com 31 Jan '26

31 Jan '26

Many businesses today are investing in Premium Business Cards because they create a strong and professional first impression. Premium cards use high-quality materials, finishes, and designs that reflect brand value and credibility. Companies often invest in expert printing services like Customized AE at https://www.customized.ae/business-card-printing to ensure their cards stand out and meet professional branding standards. This approach helps businesses build trust, improve networking, and leave a lasting impact on clients and partners. Premium Business Cards empower brands to showcase professionalism while strengthening their identity in competitive markets.

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Eggy Car: A Silly Little Game That Somehow Stole My Weekend
by logical.armadillo.wawg＠protectsmail.net 23 Jan '26

23 Jan '26

I didn’t expect much the first time I opened this game. It was late at night, my brain was fried, and I just wanted something light—the kind of casual game you play with one eye half-closed. What I got instead was laughter, mild rage, genuine suspense, and that familiar “okay, just one more try” lie we all tell ourselves. Play now: https://eggycarfree.com This is my very real, very personal experience playing Eggy Car, told like I’d tell it to a friend over coffee. No hype, no guide pretending I’m a pro gamer—just vibes, frustration, and an egg that refused to stay put. First Impressions: “This Looks Too Simple…” At first glance, the game feels almost too minimal. A tiny car. A fragile egg sitting on top. A road that stretches endlessly with gentle hills and sneaky bumps. No tutorial overload. No flashy menus. Just you, a throttle, and an egg that looks like it’s judging you silently. I remember thinking: “Okay, this is cute. I’ll try it for five minutes.” That was my first mistake. Because simplicity is exactly what pulls you in. You instantly understand the goal—don’t let the egg fall—but mastering that goal is a completely different story. The First Drop (a.k.a. My First Betrayal) My first run lasted maybe ten seconds. I tapped the gas with confidence, the car rolled forward… and the egg immediately launched itself into the void like it had places to be. I laughed out loud. Not even annoyed yet—just amused. The second run? Same thing. The third? Slightly better. The fourth? I almost felt in control. And that’s when the game hooks you. Why Eggy Car Is Weirdly Addictive There’s something psychologically clever happening here. 1. It Feels Fair (Even When It Isn’t) When you fail, it doesn’t feel cheap. There’s no random enemy, no lag, no hidden mechanic. You know exactly why you failed. You accelerated too hard. You braked too late. You trusted a hill you shouldn’t have trusted. Every loss feels like it was your fault—which somehow makes you want to try again instead of rage quitting. 2. The Egg Has Personality (Somehow) I know it’s just an egg. But tell me why it feels smug. The way it wobbles slightly when you slow down. The way it slowly tips forward when you panic-brake. The way it pauses for half a second before falling, like it’s saying, “Are you sure about that?” That tiny moment before it drops is emotional damage.

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The Puzzle I Open When My Brain Feels Too Loud
by aggregate.damselfly.lylt＠protectsmail.net 23 Jan '26

23 Jan '26

Some days, my mind feels like a room full of people talking at once. Thoughts overlap. To-do lists shout. Random worries show up uninvited. When that happens, I don’t need motivation or inspiration—I need quiet. Not the kind where you lie still and overthink, but the kind where your attention gently settles on one thing. Play now: https://sudokufree.org That’s usually when I open a puzzle. Not because I’m disciplined or productive, but because a grid of empty squares feels strangely grounding. It gives my thoughts somewhere to sit. How Puzzle Time Became “Me Time” At first, I played in short bursts. Waiting in line. Killing time before a meeting. A few minutes here and there. Over time, though, those moments became intentional. I started choosing specific times to play. Early mornings before messages start arriving. Late evenings when the day is already done. It quietly became my version of “me time.” What I like most is the lack of expectation. No one needs anything from me while I’m solving a puzzle. I don’t need to reply, react, or decide. I just observe, think, and place numbers where they belong. That simplicity feels like a small luxury. Why Sudoku Feels Like a Conversation, Not a Task What surprised me most about Sudoku is how interactive it feels, even though nothing is actually talking to you. The grid responds to your choices. Make a good move, and the puzzle opens up. Make a careless one, and things quietly fall apart later. It’s almost like a conversation: The puzzle asks, Are you paying attention? You answer with your next move. It responds accordingly. There’s no yelling. No punishment. Just cause and effect. That’s probably why I don’t feel drained after playing. Even when a puzzle is difficult, it feels engaging rather than exhausting. The Moment I Realized I Was Rushing Everything There was one puzzle that really exposed me. I was halfway through and feeling impatient. I wanted progress. I wanted visible change. So I started guessing. Not wildly, but confidently enough to convince myself it was fine. It wasn’t. Five minutes later, the grid was a mess. Contradictions everywhere. I had to erase a huge chunk of progress and start rebuilding from scratch. That moment stung—not because I failed, but because I recognized the pattern. That’s exactly how I rush through real problems too. The puzzle didn’t punish me. It simply reflected my behavior back at me. Slow down, or redo the work later. Message received. How My Approach Slowly Changed I didn’t become calmer overnight, but small shifts happened naturally. 1. I Started Double-Checking Instead of Guessing Not out of fear, but respect for the process. One extra second of thought saved minutes of cleanup later. 2. I Got Comfortable Sitting with “Not Knowing” Being stuck doesn’t mean you’re failing. Sometimes it just means the next move isn’t visible yet. 3. I Stopped Forcing Progress If nothing is clear, I pause. Either I look elsewhere on the grid, or I step away completely. These changes made the game more enjoyable—and oddly, made me feel more patient in general. Easy Puzzles vs. Hard Puzzles (Both Matter) I used to think hard puzzles were the goal. The harder, the better. But over time, I realized easy puzzles have their own value. Easy ones build confidence. They remind you that you can solve things. Hard ones build endurance. They test how long you can stay focused without panicking. Some days, I need the comfort of an easy win. Other days, I want the challenge of something that won’t give in quickly. I’ve learned not to judge which one I choose. Both serve a purpose. What Finishing a Tough Grid Really Feels Like Completing a difficult puzzle isn’t explosive. There’s no rush of adrenaline. It’s quieter than that. It feels like exhaling after holding your breath without realizing it. The final numbers fall into place, and suddenly the grid makes sense. Not just logically, but emotionally. All that confusion had a structure after all. That moment reminds me that confusion isn’t permanent. It’s just part of the process before understanding shows up. Using Sudoku as a Mental Reset These days, Sudoku has become my reset button. When my brain feels scattered, I don’t try to fix everything at once. I open a puzzle. I focus on one small section. One number. One decision. Slowly, my thoughts line up the same way the grid does. Sometimes I don’t even finish. I just play long enough to feel centered again. That’s enough. The goal stopped being completion and became clarity. Why I Prefer It Over Endless Scrolling Scrolling numbs me. Puzzles engage me. One leaves me restless. The other leaves me calm. That difference matters more than I expected. After a puzzle session, I feel present. After scrolling, I feel like time slipped through my fingers. I’m not anti-social media. I just like having an option that actually restores my focus instead of draining it.

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I Thought I’d “Figured Out” Agario — The Game Immediately Proved Me Wrong
by wasteful.ocelot.tjkl＠protectsmail.net 23 Jan '26

23 Jan '26

At some point after dozens of matches, I had the audacity to think I understood this game. I had patterns. I had habits. I had confidence. And agario, in its quiet, circular way, saw that confidence and said: “Oh? Cute.” Play now: https://agario-free.com This third post is about that phase — the dangerous middle ground where you’re no longer a beginner, but absolutely not a master. Where you know the mechanics, but the chaos still wins. Where every good decision feels intentional… right up until it doesn’t. If you’ve ever felt personally attacked by a casual game, welcome. You’re among friends. The “Comfort Zone” Phase Is a Lie There’s a moment in your time with this game when things start to feel familiar. You spawn in and immediately know what to do. You’re not panicking. You’re not flailing. You’re just… playing. Muscle Memory Takes Over My opening moves are automatic now. Drift toward safe dots. Avoid obvious threats. Keep distance. It feels smooth — almost relaxing. That’s the trap. Because when you get comfortable, you stop questioning your instincts. And in agario, instincts age like milk. Confidence Changes How You Move I noticed that when I felt good, I moved more directly. Straighter lines. Fewer pauses. Which looks confident… and also makes you predictable. And predictability gets you eaten. Funny Moments That Still Catch Me Off Guard Even after all this time, the game finds new ways to make me laugh. The Dramatic Chase That Goes Nowhere You ever get chased by a slightly bigger player for what feels like forever? No one gains ground. No one commits. You’re just two blobs drifting across the map like it’s a slow-motion action movie with zero payoff. Eventually one of you gives up. I always imagine us nodding respectfully and moving on with our lives. When a Tiny Player Outsmarts Everyone One of my favorite things to witness is a small player weaving through massive blobs like they’re untouchable. No size. No power. Just immaculate vibes and perfect movement. I’ve rooted for total strangers more than once. The Frustrations That Still Hurt (Yes, Even Now) You’d think experience would make losses sting less. Sometimes it does. Sometimes it really doesn’t. Dying Because of Someone Else’s Mistake Nothing hurts like playing carefully, only to get wiped out because another player panicked and split into you while running from someone else. Wrong place, wrong time. Absolutely tragic. When Lag Chooses Violence I don’t blame the game for this — but when a tiny delay turns a safe escape into instant death? That one makes me lean back in my chair and stare at the ceiling for a bit. The Hidden Mind Games Between Players This is something I didn’t expect going in, but now it’s one of my favorite parts. Fake Retreats and Baiting I’ve seen players pretend to run, slow down just enough to tempt you, then punish the split attempt instantly. It’s evil. It’s smart. I hate it. I respect it. I’ve tried it myself with mixed results. When it works, you feel like a mastermind. When it doesn’t… well. You know how that ends. Reading Intentions Through Movement You start recognizing patterns: Sudden sharp turns usually mean panic. Smooth arcs usually mean confidence. Tiny stutters mean someone is thinking really hard. It’s weird how much personality comes through without a single word. How My Strategy Has Shifted Over Time I don’t play the same way I did when I started — or even the same way I did a few weeks ago. Survival > Dominance I used to chase growth aggressively. Now I value staying alive. A long, steady run feels better than a flashy one that ends quickly. I Pick Fewer Fights Just because I can try to eat someone doesn’t mean I should. The risk isn’t always worth the reward. This realization alone doubled my average survival time. I Respect Size Differences More I used to think “slightly bigger” meant “manageable.” It doesn’t. Slightly bigger often means “one mistake and you’re done.” Why the Game Still Feels Fresh With all this repetition, you’d expect boredom. It hasn’t happened yet. The Player Base Keeps It Unpredictable Every match is shaped by real people. Different decisions, different chaos. No AI pattern ever repeats this kind of nonsense — and I mean that affectionately. Short Sessions, Big Emotions A single round can give you hope, stress, pride, disappointment, and acceptance in under five minutes. That emotional efficiency is kind of impressive. Unexpected Lessons From Being a Floating Circle I didn’t come here for wisdom. It showed up anyway. Awareness Beats Ambition Wanting to grow fast is natural. Knowing when not to push is smarter. Calm Is a Competitive Advantage Panic ruins positioning. Calm creates options. This applies way beyond agario, which is annoying but true. Losing Doesn’t Erase Progress Every round teaches you something — even the bad ones. Especially the bad ones. Why I’m Still Playing (Despite Everything) I don’t log into this game expecting greatness. I log in expecting moments. Close calls. Dumb mistakes. Small victories. Unexpected laughs. That’s the magic of agario. It doesn’t ask for much, but it gives you stories anyway. Stories about the time you almost ruled the map… and the even better story about how you didn’t. Final Thoughts From Someone Who Should Probably Stop (But Won’t) This game has a way of meeting you where you are. Whether you’re killing time, avoiding responsibilities, or just wanting something light but engaging, it delivers. Again and again. And every time I think I’ve outgrown it, it pulls me back in with one good run — or one spectacular failure.

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One More Swing Than Planned: My Love Affair with doodle baseball
by incredible.eel.ynwx＠protectsmail.net 22 Jan '26

22 Jan '26

I told myself I was only killing a minute. Just a quick click, a nostalgic smile, then back to work. Instead, I ended up bargaining with myself like a kid: one more batter… okay, one more run… fine, last chance. Play now: https://doodlebaseballgame.com That’s the sneaky magic of this game. It doesn’t shout for attention. It gently steals it. Why this game feels so effortlessly charming Everything about it feels light. The hand-drawn visuals look like they were sketched with joy instead of polish in mind. The characters—hot dogs, burgers, ice cream cones—aren’t just jokes; they have expressions, reactions, and tiny movements that make them feel weirdly alive. Gameplay couldn’t be simpler. You wait. You swing. That’s it. But the timing is just unpredictable enough to keep you alert. Pitch speeds change, your confidence rises and falls, and suddenly you’re locked in. No meters, no power-ups—just you and your sense of rhythm. It’s the kind of simplicity that modern games often forget how to do well. The moment it completely won me over I remember a round where everything went wrong. Early swings, late swings, pure chaos. I laughed at myself, half-annoyed, half-amused. Then a new batter stepped up—a smiling taco—and I slowed down without realizing it. The pitch came in. I waited. Swung. Perfect hit. The ball sailed, the crowd roared, and I felt an absurd surge of pride over something that objectively did not matter at all. And yet… it did. In that moment, it really did. That emotional flip—from failure to triumph—is what makes the experience stick. You don’t grind for wins; you stumble into them. FAQ How can you play it today? You can still play it online via Google’s Doodle archive or on sites that host classic browser mini-games. It runs instantly in most modern browsers. Is it an official Google game? Yes. It was created by Google’s Doodle team as an interactive July 4th celebration and later became one of their most beloved mini-games. Is it safe for kids? Completely safe. There’s no chat, no ads during gameplay, and no inappropriate content. It’s friendly, colorful, and easy to enjoy at any age. A small game that sticks with you Some games impress you with size. Others with difficulty. This one wins with personality. It reminds me that fun doesn’t need layers of systems—it just needs good timing, a bit of humor, and heart.

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Crazy Cattle 3D – A Weird Little Sheep Game That Totally Hooked Me
by wilful.lion.cmiq＠protectsmail.net 22 Jan '26

22 Jan '26

I’ve played a lot of games over the years. From big, flashy AAA titles that eat up dozens of hours, to tiny mobile games I open when I’m bored in line or waiting for food. Most of the time, I know exactly what I’m getting into. But every now and then, a game shows up out of nowhere, looks… odd, and somehow pulls me in completely. Play now: https://crazycattle3dfree.com That’s exactly what happened when I first tried Crazy Cattle 3D. At first glance, it’s a game about sheep. Not epic warriors. Not race cars. Just… sheep. And yet, after a few minutes, I was laughing, slightly stressed, and weirdly determined to “just play one more round.” You know that feeling when a game is simple but dangerously addictive? Yeah, this one nailed it. First Impressions: “What Am I Even Playing?” The first thing that hit me was the vibe. The game doesn’t try to look realistic or overly polished. Instead, it leans into a colorful, playful 3D style that immediately tells you: relax, this is for fun. You control sheep (or cattle, depending on the level), moving them through chaotic environments filled with obstacles, narrow paths, and moments where everything can go wrong in half a second. It reminded me of those games where the rules are easy to understand, but actually doing well is a different story. Honestly, my first thought was: “Okay, this looks silly.” My second thought, five minutes later: “Why did I just fail the same level three times… and why do I want to try again?” That’s when I knew this game had something special. Why It’s Fun: Simple, But Not Stupid What I really appreciate about Crazy Cattle 3D is that it respects your time. You don’t need a tutorial that takes forever. You don’t need to memorize complex controls. You jump in, you move your sheep, and chaos happens. But here’s the trick: even though the mechanics are simple, the game constantly messes with your expectations. Sometimes the physics feel a little wild. Sometimes your sheep does something slightly different than you planned, and suddenly the whole run falls apart. That unpredictability is where the fun lives. It reminded me a lot of games like Flappy Bird back in the day. One tap, one mistake, game over. You get frustrated, but not angry. More like, “Okay, that was my fault… probably.” And then your finger is already reaching for restart. Actual Gameplay Moments That Made Me Laugh There was one moment I still remember clearly. I was doing pretty well, guiding my sheep carefully through a narrow platform. I slowed down, focused, felt proud of myself. Then another sheep bumped into mine from behind, physics went crazy, and both of us flew off the edge like a cartoon. I just stared at the screen for a second… then laughed out loud. Another time, I got so confident that I started rushing. Bad idea. I clipped a corner, my sheep spun like it was on ice, and everything collapsed in seconds. It’s that kind of game: it punishes impatience, but in a funny way, not a cruel one. Those moments are what keep me playing. Not high scores or rewards, but the stories you accidentally create while failing. The “Just One More Try” Effect This is my favorite type of casual game. The kind you open for five minutes and suddenly realize twenty minutes are gone. Each round is short, which makes restarting feel painless. You’re never far from trying again, and that’s dangerous—in the best way. Even when you lose, you immediately see what you could have done better. I often play games like this late at night, telling myself it’s just to relax before bed. This one? Yeah… bad idea. My brain kept going, “Okay, next time I’ll slow down there,” or “I think I can make that jump if I angle it right.” Spoiler: I stayed up longer than planned. It’s Not About Winning, It’s About the Chaos What surprised me most is that I stopped caring about winning pretty quickly. Instead, I started enjoying the chaos itself. When things go wrong in Crazy Cattle 3D, they go wrong in a spectacular, almost slapstick way. Sheep bumping into each other, tumbling off platforms, sliding in ways that feel just slightly out of control—it all adds to the charm. Some games make you feel bad for failing. This one makes you smile and say, “Okay, that was actually kind of funny.” That’s a rare balance to hit. How It Fits Into My Gaming Habits These days, I don’t always have time or energy for long gaming sessions. Sometimes I just want something light, something that doesn’t demand emotional commitment or endless grinding. That’s where games like this shine. I’ll open it while waiting for something to load, or when I need a mental break. No pressure. No story to remember. Just quick fun. In that sense, it feels like the modern version of classic arcade-style games—easy to pick up, hard to master, and endlessly replayable. I’ve even caught myself showing it to friends, handing over my phone or keyboard and saying, “Just try one round.” You can probably guess how that ends. Why It Feels “Weirdly Addictive” If I had to describe the appeal in one sentence, it would be this: The game never takes itself too seriously, and that gives you permission to just enjoy the ride. The physics, the silly theme, the fast restarts—it all works together. You’re not stressed about perfection. You’re chasing that one smooth run, knowing full well it might fall apart in the funniest way possible. And honestly, that’s refreshing. I don’t need every game to be deep or emotional. Sometimes I just want to laugh at digital sheep failing in dramatic fashion. And that’s okay.

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Pips NYT Puzzle Explained: Strategy, Logic, and Daily Challenge
by geographical.roadrunner.avxg＠protectsmail.net 21 Jan '26

21 Jan '26

Introduction to Pips NYT Pips NYT is a logic-based puzzle that has quickly attracted attention from players who enjoy number reasoning and pattern recognition. Unlike word-focused games, this puzzle centers on dots, values, and structured deduction. Each round offers a compact yet mentally stimulating experience, making it suitable for both casual players and dedicated puzzle enthusiasts. https://pipsly.io/ The appeal of Pips NYT lies in its simplicity combined with depth. The rules are easy to learn, but consistent success requires careful thinking, patience, and an understanding of hidden relationships within the grid. This balance between accessibility and challenge is what keeps many players returning daily. Core Concept of the Puzzle Understanding the Grid Layout The puzzle is presented as a grid made up of cells, each capable of holding a specific number of pips or dots. These pips represent numerical values, and the goal is to determine the correct placement based on given constraints. Some cells may already contain pips, while others remain blank for the player to solve. The grid is designed to encourage logical progression. Each row and column interacts with others, meaning that a decision in one area often affects multiple parts of the puzzle. This interconnected structure makes every move meaningful. Rules That Guide Each Move Pips NYT operates under a clear set of rules. Each row and column must satisfy specific conditions related to the number of pips shown. Repetition is limited, and balance across the grid is essential. These rules ensure that guessing rarely leads to success, rewarding instead a methodical approach. Players must constantly evaluate whether a placement aligns with all visible clues. When contradictions appear, it signals that a previous assumption needs revision. Logical Thinking Behind Pips NYT Deduction Over Guesswork One of the defining features of Pips NYT is its emphasis on deduction. Every correct solution can be reached through logic alone. By examining constraints and eliminating impossibilities, players gradually narrow down the correct configuration. This approach makes the puzzle particularly satisfying. Each solved cell feels earned, and the final completed grid reflects a chain of thoughtful decisions rather than random attempts. Pattern Recognition Skills As players gain experience, certain patterns begin to stand out. Familiar arrangements of pips can suggest likely placements, speeding up the solving process. Recognizing these patterns does not replace logic but complements it, allowing more efficient reasoning. Over time, this pattern awareness enhances overall problem-solving ability, even beyond the game itself. Difficulty Progression and Daily Challenge Gradual Increase in Complexity Pips NYT typically starts with straightforward scenarios that introduce basic mechanics. As the puzzle progresses, the number of constraints increases, and the relationships between cells become more complex. This gradual escalation keeps the experience engaging without overwhelming new players. Advanced puzzles often require multi-step reasoning, where a single correct placement unlocks several others in sequence. Why Daily Play Feels Rewarding The daily nature of Pips NYT encourages consistency. Each day presents a fresh challenge, offering a sense of routine and accomplishment. Completing the puzzle becomes a small but meaningful mental exercise, fitting easily into a daily schedule. This structure also allows players to track improvement over time, noticing faster completion and fewer mistakes as familiarity grows. Strategies for Solving Pips NYT Effectively Start With Certainty A strong strategy is to begin with rows or columns that have the most information available. These areas often allow immediate deductions, providing a foundation for the rest of the grid. Early certainty reduces confusion later in the puzzle. Focusing on what must be true, rather than what could be true, helps maintain logical clarity. Use Elimination Techniques Elimination is a powerful tool in Pips NYT. By identifying values that cannot fit in certain cells, players indirectly discover where those values must go. This process of narrowing options is often more effective than trying to place pips directly. Careful elimination prevents errors and reinforces confidence in each decision. Recheck Assumptions Regularly Even experienced players benefit from revisiting earlier steps. If progress stalls, reviewing previous placements can reveal overlooked details. A single incorrect assumption can block the entire solution, so flexibility in thinking is essential. Mental Benefits of Playing Pips NYT Enhancing Logical Reasoning Regular engagement with logic puzzles like Pips NYT strengthens reasoning skills. Players practice evaluating evidence, drawing conclusions, and managing complex rule sets. These cognitive skills are transferable to many real-world situations. Improving Focus and Patience The puzzle rewards calm and focused attention. Rushing often leads to mistakes, while steady analysis leads to success. Over time, players develop greater patience and an improved ability to concentrate on detailed tasks. Comparison With Other Puzzle Types Difference From Word-Based Games Unlike word puzzles that rely on vocabulary and language intuition, Pips NYT is purely numerical and visual. This makes it appealing to players who prefer structured logic over linguistic creativity. The absence of language barriers also allows a wider audience to enjoy the puzzle without translation concerns. Unique Identity Among Logic Puzzles While many logic games use numbers, Pips NYT stands out due to its minimalist design and emphasis on dots as values. This visual approach adds an extra layer of abstraction, making the solving process feel fresh and distinctive. Long-Term Appeal and Replay Value Learning Curve That Encourages Growth The puzzle offers continuous learning. Early challenges teach fundamentals, while later ones test mastery. This evolving difficulty ensures long-term engagement rather than short-lived interest. A Satisfying Sense of Completion Finishing a Pips NYT puzzle delivers a clear sense of closure. The completed grid represents order achieved through logic, providing a quiet but powerful feeling of success. Conclusion Pips NYT offers a refined puzzle experience built on logic, deduction, and thoughtful design. Its clear rules, escalating difficulty, and daily format create an engaging challenge suitable for a wide range of players. By emphasizing reasoning over guessing, the puzzle delivers both mental stimulation and genuine satisfaction. For anyone seeking a daily exercise in logic and focus, Pips NYT stands as a compelling choice.

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Modalert 200mg: Supporting Wakefulness and Alertness
by prashantpratap966＠gmail.com 09 Jan '26

09 Jan '26

Modalert 200mg contains Modafinil, a medication used to promote wakefulness in individuals with excessive daytime sleepiness due to narcolepsy, sleep apnea, or shift work sleep disorder. It helps improve alertness, concentration, and mental clarity, enabling better daytime functioning. Modalert is known for its long-lasting effect and comparatively lower risk of jitteriness than traditional stimulants. It should be taken only as prescribed by a healthcare professional to ensure safe and effective use. More information: https://www.mymodalert.com/product/modalert-200mg/

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by loesmith240＠gmail.com 05 Jan '26

05 Jan '26

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Wordle Unlimited Puzzle Experience That Challenges Logic And Vocabulary
by blank.penguin.fbej＠protectsmail.net 01 Jan '26

01 Jan '26

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by Julie Guard 13 May '19

13 May '19

Hello, all: I understand if no one is reading email from this address for a while, but I thought I would pass on a written compliment from a non-academic participant to the conference. It is similar to others I have heard, and I am thinking here only of community people who are not academics. I think it was clear that the academics enjoyed it, but this is a little different. It suggests that we succeeded in making the event accessible. My contact wrote this: I thoroughly enjoyed the conference, the speakers and came away with a better understanding of the strike and how it was formed. julie Julie Guard Professor, History and Labour Studies Office: 117 Isbister Building Mailing address: 218 Isbister Building University of Manitoba 183 Dafoe Road Winnipeg MB R3T 2N2 Phone: 204-474-7110 Email: julie.guard(a)umanitoba.ca<mailto:julie.guard@umanitoba.ca>

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ORGANIZING COMMITTEE PHOTO: COME TAKE A GRP. PIC ON FRIDAY @ RIDDELL HALL AT 3:15PM
by Krishna Lalbiharie 09 May '19

09 May '19

Hi friends! Amber and I would like to arrange for a group photo of all 1919 WGSCC members on: FRIDAY, MAY 10, 2019 3:15PM | RIDDELL HALL Please, please come to Riddell tomorrow afternoon around 3:15PM. ALL OF YOU. All my best! KL 204.899.8687

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Fwd: Join the Graphic History Collective for the Winnipeg launch of 1919: A Graphic History of the Winnipeg General Strike.
by Sharon Reilly 07 May '19

07 May '19

Hello all, Sean asked me to forward this invitation to Sunday's launch of the Graphic History. Sharon Sharon Reilly ---------- Forwarded message --------- From:Sean Carleton <sfpcarleton(a)gmail.com> Date: Mon, May 6, 2019, 2:03 PM Subject: Join the Graphic History Collective for the Winnipeg launch of 1919: A Graphic History of the Winnipeg General Strike. To: Sharon Reilly <reillysharonmarie(a)gmail.com> Hi Sharon, I hope all is well! I am really looking forward to the 1919 conference this week and the Bus Tour on Saturday. I am writing to let you know that the GHC and David Lester are having the official Winnipeg Launch of *1919: A Graphic History of the Winnipeg General Strike *at McNally Robinson on Sunday. The event information is below and it would be great to see you there. We'd be grateful if you could help spread the word. Here is the Facebook Event page: https://www.facebook.com/events/2975659555993017/ In love and solidarity, Sean Co-presented by the Brandon University Public History Program as part of MayWorks 2019. Read about it below or in your browser <https://us1.campaign-archive.com/?e=&u=515d469ef147512b1e779e6a8&id=b2da007…> . McNally Robinson Booksellers & Between the Lines are pleased to present The Graphic History Collective launching *1919* *A Graphic History of the Winnipeg General Strike* *Sunday May 12, 2:00 pm Grant Park in the Atrium* Co-presented by the *Brandon University Public History Program* as part of MayWorks 2019 <http://mayworks.org/?utm_source=Event+News&utm_campaign=b2da007c59-EMAIL_CA…> . One century after it was violently crushed by police, in collusion with state officials and Winnipeg's business elite, the Winnipeg General Strike remains one of the most significant events in Canadian history. *1919: A Graphic History of the Winnipeg General Strike* introduces new generations to the strike's many lessons, including the power of class struggle and solidarity and the brutal tactics that governments and bosses use to crush workers’ movements. *1919* was co-created by the *Graphic History Collective*, a group of activists, artists, writers, and researchers passionate about comics, history and social change all across Canada whose recent publication *Drawn to Change: Graphic Histories of Working-Class Struggle* won the 2017 Wilson Book Prize, with *David Lester*, an artist, writer, illustrator, author of the acclaimed graphic novel *The Listener*, guitarist for Mecca Normal, as well as the creator of many other politically-engaged art projects. "A concise, powerful, and beautifully illustrated account of the Winnipeg General Strike that confirms its contemporary relevance for workers demanding their rights and dignity today." – Hassan Yussuff, President of the Canadian Labour Congress <http://mayworks.org/?utm_source=Event+News&utm_campaign=b2da007c59-EMAIL_CA…> <https://www.brandonu.ca/history/?utm_source=Event+News&utm_campaign=b2da007…> <http://graphichistorycollective.com/?utm_source=Event+News&utm_campaign=b2d…> [image: McNally Robinson on Facebook] <https://www.facebook.com/McNallyRobinsonBooksellers?utm_source=Event+News&u…>[image: McNally Robinson on Twitter] <https://twitter.com/mcnallyrobinson?utm_source=Event+News&utm_campaign=b2da…>[image: McNally Robinson on Instagram] <https://www.instagram.com/mcnallyrobinson/?utm_source=Event+News&utm_campai…>[image: McNally Robinson Events] <http://www.mcnallyrobinson.com/winnipeg-events?utm_source=Event+News&utm_ca…> *Copyright © 2019 McNally Robinson Booksellers, All rights reserved.* McNally Robinson Booksellers Grant Park. 1120 Grant Avenue. Winnipeg, Manitoba. R3M 2A6. 204-475-0483 or *Toll-Free 1-800-561-1833.*

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Events Tomorrow (Tuesday)
by James Naylor 06 May '19

06 May '19

Hi folks, Almost there!! A reminder that the press conference takes place at 11:00 in Riddell Hall, and the Conference Committee is meeting afterwards at Noon in 2M74. See you. Jim James Naylor Professor Department of History Brandon University 270 18th Street Brandon, MB R7A 6A9 Canada Office: 204 727 9664 Cell: 204 720 2117 Naylor(a)BrandonU.ca<mailto:Naylor@BrandonU.ca> people.brandonu.ca/naylorj/<https://people.brandonu.ca/naylorj/> [cid:image001.png@01D1CCA7.E31D2D80]

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WGSCC Committee Meeting
by James Naylor 02 May '19

02 May '19

A follow up to the email I just sent. Amber has booked 2M74 for the post-press conference meeting of the organizing committee. Jim James Naylor Professor Department of History Brandon University 270 18th Street Brandon, MB R7A 6A9 Canada Office: 204 727 9664 Cell: 204 720 2117 Naylor(a)BrandonU.ca<mailto:Naylor@BrandonU.ca> people.brandonu.ca/naylorj/<https://people.brandonu.ca/naylorj/> [cid:image001.png@01D1CCA7.E31D2D80]

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Events on Tuesday (May 7)
by James Naylor 02 May '19

02 May '19

Hi All On Tuesday, if you'll remember, we are holding a press conference. It will take place in Riddell Hall at 11:00. If you're available, please come. And we will have a Committee meeting immediately afterwards at Noon, to deal with any last minute issues. I have asked for the Oral History Centre room (2B23), but haven't heard back yet. I'll keep you posted. James Naylor Professor Department of History Brandon University 270 18th Street Brandon, MB R7A 6A9 Canada Office: 204 727 9664 Cell: 204 720 2117 Naylor(a)BrandonU.ca<mailto:Naylor@BrandonU.ca> people.brandonu.ca/naylorj/<https://people.brandonu.ca/naylorj/> [cid:image001.png@01D1CCA7.E31D2D80]

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WGCCC Sunday April 28
by James Naylor 30 Apr '19

30 Apr '19

Hi all, Our next meeting is this coming Sunday at 1:30. The University of Winnipeg is pretty much closed. Enter through Centennial (at the South End) and go to security; they will take us up to our regular room (2B23) to meet. Try to be on time (at 1:30). It’ll probably make it easier. Jim James Naylor Professor Department of History Brandon University 270 18th Street Brandon, MB R7A 6A9 Canada Office: 204 727 9664 Cell: 204 720 2117 Naylor(a)BrandonU.ca<mailto:Naylor@BrandonU.ca> people.brandonu.ca/naylorj/ [cid:image001.png@01D3620B.5A4D3D10]

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Re: [1919-Conference] Regrets and consent form
by James Naylor 30 Apr '19

30 Apr '19

Hi Scott, I’m copying this to the committee since I’m not really on top of the recording issue. As I remember it, the conditions were simply that he record it for us, giving us, and Jane, final approval of any edits to the recording. We would own it, but once it is posted, he could show it on his youtube channel. For this we would pay him. I forget how much, but we didn’t think he would charge us very much. Does anyone remember if we discuss a concrete figure? I my memory correct, everyone. Please chime in. Jim On Apr 28, 2019, at 7:49 PM, Scott Price <pricescott91(a)gmail.com<mailto:pricescott91@gmail.com>> wrote: I haven't gotten back to Paul. Are our conditions what Jane responded with? Are offering to pay Paul? Scott On Sun, Apr 28, 2019 at 3:08 PM James Naylor <Naylor(a)brandonu.ca<mailto:Naylor@brandonu.ca>> wrote: What is happening with recording the keynote. Is Paul Graham doing it with our conditions? Sent from my iPhone > On Apr 27, 2019, at 8:08 PM, Scott Price <pricescott91(a)gmail.com<mailto:pricescott91@gmail.com>> wrote: > > Hi Jim, > > I can't attend the meeting tomorrow. > > Here is the consent form for audio recording. The only thing is we should have a contact person for the WGSCC on the consent form. I would think you being the chair that you should be the contact person. > > I've already talked with the programing director at CKUW and Emily of Rank and File Radio and they are good to go. > > Scott > > > <WGSCC Release Form .docx> James Naylor Professor Department of History Brandon University 270 18th Street Brandon, MB R7A 6A9 Canada Office: 204 727 9664 Cell: 204 720 2117 Naylor(a)BrandonU.ca<mailto:Naylor@BrandonU.ca> people.brandonu.ca/naylorj/ [cid:image001.png@01D3620B.5A4D3D10]

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FW: Invitation to Talk re Strike by Danny Schur
by Julie Guard 29 Apr '19

29 Apr '19

Fyi julie From: Sylvie Winslow Sent: Monday, April 29, 2019 4:31 PM To: Adele Perry; Barry Ferguson; Ben Baader; Chris Frank; David Churchill; Erik Thomson; Esyllt Jones; Greg Bak; Greg Smith; Henry Heller; Jarvis Brownlie; Jennifer Dueck; Jocelyn Thorpe; John Finlay (jlfinlay39(a)gmail.com); Jorge Nallim; Joy Chadya; Julie Gibbings; Julie Guard; Leonard Kuffert; Mark Gabbert; Roisin Cossar; Sarah Elvins; Tina Chen Subject: FW: Invitation to Talk re Strike by Danny Schur From: Shelley Sweeney Sent: Friday, April 26, 2019 10:48 PM To: Sylvie Winslow Subject: Invitation to Talk re Strike by Danny Schur Sylvie - could you please circulate this when you get back? Thanks! Shelley Please join us in the University of Manitoba Archives next Thursday evening, May 2, at 7:30 pm for a stimulating talk by Danny Schur about his role in making the film "Stand!" about the Winnipeg General Strike of 1919. A reception follows. And pop by to see the exhibit of photographs and documents about the Strike, including an original baton, arm band and badge used by the special constables during the Strike that we borrowed from the Winnipeg Police Museum. Shelley [cid:image001.jpg@01D4FC0A.347F2F90] Shelley Sweeney, PhD University of Manitoba Archives & Special Collections, 330 Elizabeth Dafoe Library Winnipeg, Manitoba, Canada R3T 2N2 Tel: (204)474-6350 Fax: (204)474-7913 Shelley.Sweeney(a)umanitoba.ca<mailto:Shelley.Sweeney@umanitoba.ca>

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Join Julie Guard for the launch of Radical Housewives: Price Wars and Food Politics in Mid-Twentieth-Century Canada
by Julie Guard 29 Apr '19

29 Apr '19

Shameless self-promotion attached. Please come! julie Radical Housewives is a history of Canada’s Housewives Consumers Association. Read about it below or in your browser<https://us1.campaign-archive.com/?e=&u=515d469ef147512b1e779e6a8&id=c85d4fa…>. [https://gallery.mailchimp.com/515d469ef147512b1e779e6a8/images/e6713dff-bf6…] McNally Robinson Booksellers & University of Manitoba Press are pleased to present Julie Guard launching Radical Housewives Price Wars and Food Politics in Mid-Twentieth-Century Canada [https://gallery.mailchimp.com/515d469ef147512b1e779e6a8/images/5c2f9821-8fa…] Friday May 24, 7:00 pm Grant Park in the Atrium [https://gallery.mailchimp.com/515d469ef147512b1e779e6a8/images/80bb22b1-1c2… Housewives is a history of Canada’s Housewives Consumers Association. This association was a community-based women’s organization with ties to the communist and social democratic left that, from 1937 until the early 1950s, led a broadly based popular movement for state control of prices and made other far-reaching demands on the state. As radical consumer activists, the Housewives engaged in gender-transgressive political activism that challenged the government to protect consumers’ interests rather than just those of business while popularizing socialist solutions to the economic crises of the Great Depression and the immediate postwar years. Julie Guard’s exhaustive research, including archival research and interviews with twelve former Housewives, recovers a history of women’s social justice activism in an era often considered dormant and adds a Canadian dimension to the history of politicized consumerism and of politicized materialism. Radical Housewives reinterprets the view of postwar Canada as economically prosperous and reveals the left’s role in the origins of the food security movement. Julie Guard is professor of history and labour studies at the University of Manitoba. [McNally Robinson on Facebook]<https://www.facebook.com/McNallyRobinsonBooksellers?utm_source=Event+News&u…>[McNally Robinson on Twitter]<https://twitter.com/mcnallyrobinson?utm_source=Event+News&utm_campaign=c85d…>[McNally Robinson on Instagram]<https://www.instagram.com/mcnallyrobinson/?utm_source=Event+News&utm_campai…>[McNally Robinson Events]<http://www.mcnallyrobinson.com/winnipeg-events?utm_source=Event+News&utm_ca…> Copyright © 2019 McNally Robinson Booksellers, All rights reserved. McNally Robinson Booksellers Grant Park. 1120 Grant Avenue. Winnipeg, Manitoba. R3M 2A6. 204-475-0483 or Toll-Free 1-800-561-1833.

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Fwd: Book launch: 1919: A Graphic History of the Winnipeg General Strike - May 1, 2019
by Jeff Taylor 29 Apr '19

29 Apr '19

Dr. Jeffery Taylor Dean of Arts Acting Director, School of Art Professor of History 310 Fletcher Argue Building University of Manitoba Winnipeg, Manitoba R3T 5V5 (p) 204-474-9271 (f) 204-474-7590 Confidentiality Notice: This message and any attachments to it are intended for the addressee only and may contain legally privileged or confidential information. Any unauthorized use, disclosure, distribution, or copying is strictly prohibited. Please notify the sender if you have received this email by mistake, and please delete it and the attachments (and all copies) in a secure manner. Begin forwarded message: From: "Karen Werlin" <kwerlin(a)telus.net<mailto:kwerlin@telus.net>> Subject: Book launch: 1919: A Graphic History of the Winnipeg General Strike - May 1, 2019 Date: April 29, 2019 at 9:12:35 AM CDT To: "'Alvin Finkel'" <finkel(a)telusplanet.net<mailto:finkel@telusplanet.net>>, "Andrea Hasenbank" <agh3(a)ualberta.ca<mailto:agh3@ualberta.ca>>, "'Don Bouzek'" <dbouzek(a)outlook.com<mailto:dbouzek@outlook.com>>, <donnac9(a)ualberta.ca<mailto:donnac9@ualberta.ca>>, "Eric Strikwerda" <erics(a)athabascau.ca<mailto:erics@athabascau.ca>>, "Jack Hubler" <jphubler(a)shaw.ca<mailto:jphubler@shaw.ca>>, "'James Muir'" <james.muir(a)ualberta.ca<mailto:james.muir@ualberta.ca>>, "Jo-Ann Kolmes" <joannkolmes(a)gmail.com<mailto:joannkolmes@gmail.com>>, "'Karen Werlin'" <kwerlin(a)telus.net<mailto:kwerlin@telus.net>>, "'Linda Robinson'" <linda.robinson09(a)gmail.com<mailto:linda.robinson09@gmail.com>>, "Muriel Stanley Venne" <murielv(a)shaw.ca<mailto:murielv@shaw.ca>>, "'Scott Crichton'" <scrichton(a)ibew424.net<mailto:scrichton@ibew424.net>>, "Winston Gereluk" <winstong(a)fastmail.fm<mailto:winstong@fastmail.fm>> FYI – please circulate to your contact lists. Karen Werlin Administrator Alberta Labour History Institute 603, 12323 Stony Plain Rd NW Edmonton, AB T5N 3Y5 Ph: (780) 732-0320 From: Julia [mailto:julia.maureen.smith@gmail.com] Sent: Saturday, April 27, 2019 5:40 PM To: Karen Werlin Subject: Book launch: 1919: A Graphic History of the Winnipeg General Strike - May 1, 2019 Hi Karen, I hope you're doing well. Could you please circulate notice of this event to ALHI members? All the best, Julia *** Book Launch: 1919: A Graphic History of the Winnipeg General Strike Wednesday, May 1, 6:00 p.m. to 7:30 p.m. Alexander Calhoun Salon, Memorial Park Library, 1221 2 Street SW [image.png] Explore the Winnipeg General Strike through the talented lens of the Graphic History Collective on International Workers' Day. Celebrate their new book and meet the authors. Brought to you by the Calgary Public Library in partnership with the Alberta Labour History Institute. Facebook: https://www.facebook.com/events/1060397020823532/ Calgary Public Library registration link (opens April 15): https://events.calgarylibrary.ca/programs/online-registration?1pncRsLnfzLE6… [https://ipmcdn.avast.com/images/icons/icon-envelope-tick-round-orange-anima…]<https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campai…> Virus-free. www.avast.com<https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campai…>

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FW: 1919 conference - documentary inquiry
by James Naylor 28 Apr '19

28 Apr '19

FYI. If anyone has any issues, please raise them on Sunday. Jim James Naylor Professor Department of History Brandon University 270 18th Street Brandon, MB R7A 6A9 Canada Office: 204 727 9664 Cell: 204 720 2117 Naylor(a)BrandonU.ca<mailto:Naylor@BrandonU.ca> people.brandonu.ca/naylorj/<https://people.brandonu.ca/naylorj/> [cid:image001.png@01D1CCA7.E31D2D80] From: orlando <orlando(a)prairieboyproductions.com> Sent: Friday, April 26, 2019 10:01 AM To: James Naylor <Naylor(a)BrandonU.CA> Subject: 1919 conference - documentary inquiry Hi Jim, Thanks for the callback yesterday. Just to recap, I am just wondering if I may send my director Erika MacPherson to film a couple panelists at the conference? We are producing a small documentary for CBC Manitoba about the monument being created to commemorate the 1919 strike - this of course is the monument of the tipped over railcar from Bloody Saturday which will go up at Market Square. To illustrate the continuity to today, filming some current issues and events would help the supporting story for the documentary. Erika would like to come on her own [no camera crew] with a camera to film some of your panelists [only with their prior permission of course]. Please let me know if this is something you could support. I am happy to answer any questions you may have. Many thanks for your consideration, [Prairie Boy eSignature - Orlando Braun]<http://www.prairieboyproductions.com>

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National commemorative events
by Sharon Reilly 24 Apr '19

24 Apr '19

Hello all, FYI, this comes from the Ontario Workers Heritage Centre in Hamilton. Many of the folks involved (Florencia, Alvin, Don) will be here for our conference https://wahc-museum.ca/event/massive-disruption-commemorating-the-winnipeg-… Sharon .......................................................................................... Sharon Reilly 48 Glen Avenue Winnipeg, MB R2M 1V5 tel: 204-255-4446 cell: 204-590-7051 reillysharonmarie(a)gmail.com

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WGSCC Meeting - SUNDAY
by James Naylor 23 Apr '19

23 Apr '19

A reminder to everyone that the Winnipeg General Strike Conference Committee meets this SUNDAY, April 28 in Room 2B23 at the University of Winnipeg. See you there Jim James Naylor Professor Department of History Brandon University 270 18th Street Brandon, MB R7A 6A9 Canada Office: 204 727 9664 Cell: 204 720 2117 Naylor(a)BrandonU.ca<mailto:Naylor@BrandonU.ca> people.brandonu.ca/naylorj/<https://people.brandonu.ca/naylorj/> [cid:image001.png@01D1CCA7.E31D2D80]

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mini-book launch proposal
by Julie Guard 17 Apr '19

17 Apr '19

Hi All: I haven't given this much thought until now, having been up to my eyeballs in teaching and then marking, but I am guessing that there must be a 30-minute space on the program for me to have a mini-launch of my recently published book, Radical Housewives: Price Wars and Food Politics in Mid-Twentieth Century Canada. It came out in March and has not yet been launched, and I would love to have an opportunity to launch it at our conference. I was thinking there would be a half-hour when we gather at the Goodwill. I could set up a table and give a short description and people who were, for some strange reason, uninterested could talk in a different section of the room. Or maybe there's another spot on the program I haven't thought of. What do people think? julie Julie Guard Professor, History and Labour Studies Office: 117 Isbister Building Mailing address: 218 Isbister Building University of Manitoba 183 Dafoe Road Winnipeg MB R3T 2N2 Phone: 204-474-7110 Email: julie.guard(a)umanitoba.ca<mailto:julie.guard@umanitoba.ca>

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JANE MCALEVEY RE: FILMING DURING HER PRESENTATION/LIVE-STREAMING
by Krishna Lalbiharie 16 Apr '19

16 Apr '19

Read her comments below. She’s fine with filming, but also asks that we clip soundbitey bits from the larger piece for social media uploads. She says, overall, that she “really doesn’t care” re: live-streaming, but slightly prefers if we don’t. Krishna 204.899.8687 Sent from my iPhone Begin forwarded message: > From: "Jane McAlevey" <jmcalevey(a)igc.org> > Date: April 16, 2019 at 4:52:20 AM CDT > To: "'Krishna Lalbiharie'" <krishna.lalbiharie(a)gmail.com> > Subject: something about video > > I haven’t even looked at the flights you sent, sure they are fine. > > I slightly prefer you don’t live stream, but rather, tape and make it available on line later. On the other hand, I don’t really care. What I do ask is that whoever does the video makes themselves available to me for 2-3 small versions of 2-3 minutes of my choosing, shortly after the event. Meaning, I am starting to get these little video snippets that people apparently find useful by asking groups that tape me to let me look at it, pick the best points I make, and, post them to twitter and on my website. For Twitter, it’s max 2 minute clips (Jane learning this shit later in life is so annoying). But if there’s a good point made that might be valuable for the masses, it might be up to 5 minutes and posted on my website. > > IF that’s OK, that whoever your person is does it, great. > > And if you and the committee reeeeallly want it live streamed, that’s OK, too. > > Not really breathing till May 3. > > Cheers > > www.janemcalevey.com > @rsgexp > >

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FW: Bilan Arte
by James Naylor 15 Apr '19

15 Apr '19

I just received this from Bilan Arte. This affects the second of the roundtables. I'm going to suggest that the roundtable subcommittee (which included Paul, Scott, David and myself, I believe) talk about it in a couple of days. In the meantime, if anybody has any ideas about how to replace her, please forward them to a member of this group. Thanks, Jim James Naylor Professor Department of History Brandon University 270 18th Street Brandon, MB R7A 6A9 Canada Office: 204 727 9664 Cell: 204 720 2117 Naylor(a)BrandonU.ca<mailto:Naylor@BrandonU.ca> people.brandonu.ca/naylorj/<https://people.brandonu.ca/naylorj/> [cid:image001.png@01D1CCA7.E31D2D80] ________________________________ From: Bilan Arte [barte(a)clcctc.ca] Sent: April 15, 2019 12:37 PM To: Brandon University 1919strikeconference; 1919-roundtables(a)lists.umanitoba.ca<mailto:1919-roundtables@lists.umanitoba.ca> Subject: RE: Speaker Bios for Strike Conference Program - DUE April 12 Hello James, I must regretfully inform you that I cannot be part of this roundtable anymore. I had booked my flights and had every intention on coming, but unfortunately the federal government has scheduled a national summit on disability and work for the exact same day. We just received notice for this summit, and I am the subject matter expert at the CLC so I must prioritize attending this event. I am very sorry for any consequences for my late cancellation. If it is helpful at all, I can prepare a list of alternative speakers that would be great on this topic from the national labour movement. Please let me know if you would find this useful. My sincerest apologies, Bilan From: 1919-roundtables-bounces(a)lists.umanitoba.ca<mailto:1919-roundtables-bounces@lists.umanitoba.ca> <1919-roundtables-bounces(a)lists.umanitoba.ca<mailto:1919-roundtables-bounces@lists.umanitoba.ca>> On Behalf Of Brandon University 1919strikeconference Sent: Monday, April 8, 2019 2:12 PM To: 1919-roundtables(a)lists.umanitoba.ca<mailto:1919-roundtables@lists.umanitoba.ca> Cc: Brandon University 1919strikeconference <1919strikeconference(a)BrandonU.CA<mailto:1919strikeconference@BrandonU.CA>> Subject: [1919-roundtables] Speaker Bios for Strike Conference Program - DUE April 12 Hi everybody! We would like everyone speaking at the Winnipeg General Strike Centenary Conference either on regular panels or on the roundtables to send a short (maximum 30 word) bio of themselves for the printed conference program. Send your bio to 1919strikeconference(a)BrandonU.ca<mailto:1919strikeconference@BrandonU.ca>. To help us keep track of everyone, please put your name in the subject line, e.g. "Jim Naylor - Bio". Please do this as soon as possible, but by Friday, April 12 at the very latest. Thank you for your cooperation, Jim Naylor Chair Winnipeg General Strike Centenary Conference Committee

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Paul's talk today
by Sharon Reilly 10 Apr '19

10 Apr '19

Hello all, Paul Moist gave an excellent presentation at our library series today, and to yet another full house, despite the bad press related to security checks and the Jets white-out party preparations that began at 10:00 am. Well done Paul! Sharon Sharon Reilly

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Communicative Memories panel
by Janis Thiessen 10 Apr '19

10 Apr '19

Two corrections to this panel: 1. I thought I was chairing this one — it’s a roundtable of folks I interviewed about their ancestors’ strike participation. 2. As for participants, all but Lisa McGifford have said that they can attend. Thank you! Janis

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